I paint
people. I have spent my life obsessed
with the figure and what the figure says about humanity. From the thoughts of our minds to the
appearance of our many faces, I am constantly intrigued by humanity. When I look at people I see the layers of
their flesh separate into layers of paint; the reflection in their eye becomes
a battle for which white is whitest, and I imagine the deep layers that would
create the under painting. The aesthetic
style that unfolds in one of my portraits is a result of everything I’ve
learned prior and the moments of chance that I learn from. I find that when I allow myself to disappear
in the moment, the freedom from all unnecessary mental tangents allows for each
piece to take form in the most honest way.
I often feel my thoughts are accompanied by a certain amount of
shame. When I choose to paint pieces
that have an allegorical relevance to me, whether or not this is apparent to
the viewer, I tend to free myself from the correlated shame I would otherwise
feel when expressing something vulnerable.
I have
always found a therapeutic state of mind through the process of painting. The final products are simply the
destination, while for me the most relevant moments occur during the
process. My work evolves into a final
product through a series of therapeutic brush strokes. In my most recent series I have used the
process of painting to organize my mind and focus on who I truly am.
When I look
for subjects to paint, I normally look for an honest beauty that effortlessly
escapes. Willie Nelson once wrote,
“Don’t confuse caring for weakness, you can’t put that label on me, the truth
is my weapon of mass protection and I believe truth sets you free.” I search for truth and honesty in my
paintings, and for me raw honesty is what makes me feel free. I seek to keep the integrity of my subjects
in tact while hoping to convey the vulnerabilities that seem to exist in all people. My intention for my future work is to simply
move forward with the same momentum in which I’ve progressed; always searching
for new ways to depict the human form and always allowing each painting to
become its own individual piece.
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